I'm extremely motivated by this assignment. It's the kind of photography that really appeals to me. If you go to the
Millennium Images website you can search their library and see some of the fantastic photography. I initially envisaged including this assignment with an ongoing project which I intend to exhibit in the Summer of 2010. My idea was to document aspects of places and people of
Burton On Trent. However, for this assignment I need to be more specific in my scope.
I started out by looking through the Millennium Images library and ordered their beautifully produced
catalogue. Following a conversation with my tutor, I decided to focus on urban landscapes and spaces. This led me onto looking at the work of
The New Topographics photographers such as
Lewis Baltz and
Stephen Shore, amongst others. I particularly became engrossed with Shore's
Uncommon Places. I went out and made some initial shots, roughly trying to do my own thing in this style, more as a process of working it through my system until I got what I really wanted out of my photographs. Incidentally, if anyone reading this knows of contemporary photographers in this style, let me know, it'd be greatly appreciated.
In the meantime, Giacomo Furlanetto of Millennium Images came to the university to give a lecture. A large portion of the lecture was spent showing the different types of photography in the Millennium Image library and the works by various photographers, which was fascinating in itself.
Giacomo also told us that Millennium Images was not an agency that represented photographers, they represented the photographs. Clients were varied, with commercial and editorial needs. Usually clients looked for images that had broad concepts, that different meanings could be attached to, or at least the meaning they were looking for. Sales are split 50/50 between the photographer and Millennium Images. Whereas photographers commissioned by Millennium Images would see 75% of the sales.
Submitted and selected photography is under a three year contract, in which time Millennium has exclusivity and the photographer cannot use the images commercially elsewhere. They are free to exhibit the images and use them for self promotion though. The photographer always retains the copyright.
Following the lecture, there was opportunity for some students to show their portfolios to Giacomo. A rare opportunity not to be missed, although I was at first reluctant due not being confident about my work. However, after chatting with my tutors I decided to go for it. I ended up printing off about forty images and narrowed this down to fifteen for viewing. Giacomo was perfectly understanding and as a first portfolio critique, I thought it went reasonably well. Giacomo gave some constructive feedback and liked some of my images. One in particular he felt would be usable in the Millennium library.
Even though I am excited by the assignment, interested in the photography, fascinated by the lecture and had a good critique session my confidence in what I was doing wavered. The photos in the Millennium Images have a distinct style and quality. I really felt that my images thus far didn't have this, they needed to be of a higher standard. Thinking that I might have to rethink everything I was doing for the assignment, Harriet Merry, a picture editor assisting the degree course, encouraged me to stick at what I'd already decided upon. She advised me to do further research of photographers, giving me some names and to emulate their style. Funnily enough, she also suggested that I try doing some interesting night photography with my chosen theme. Something I had just been thinking about earlier that day.
So for now, I've done my research, got my camera and a tripod, planned some shoots over the coming weeks and looking forward to the challenge of obtaining that higher standard in my photography.